by Chris Folsom.
It’s a question I hear a lot from new photographers: “what lenses should I buy?”
And while there are a lot of different types of lenses appropriate for many different situations and needs, time and time again I find myself primarily relying on three lenses in my bag: a fast general purpose zoom (18-50mm), a macro lens and a telephoto zoom (70-200mm). These three lenses will give you enough versatility to shoot in almost any conditions. Also, these three lenses ar...
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Zoltan Arva-Toth
The AF-S Nikkor 16-35mm f/4G ED VR is Nikon’s first ultrawide-to-wide zoom lens featuring Vibration Reduction (VR), and generally, the world’s first full-frame ultrawide lens with any form of in-lens stabilisation. Intended to be a more affordable alternative to the venerable AF-S Zoom-Nikkor 17-35mm f/2.8D IF-ED, the new AF-S Nikkor 16-35mm f/4G ED VR features Nikon’s proprietary Nano Crystal coating and incorporates 2 extra-low dispersion (ED) glass elements as we...
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Zoltan Arva-Toth
The AF-S Nikkor 24mm f/1.4G ED is a new ultra-wideangle prime for FX format DSLR camera bodies. Designed for professional photojournalists and landscapists, the AF-S Nikkor 24mm f/1.4G ED has 12 elements in 10 groups. Among these are two ED - extra-low dispersion - glass elements and two aspherical lens elements. The lens also features Nano Crystal coating to reduce reflections, and has 9 rounded aperture blades for nicely rendered out-of-focus highlights. The Silent Wave...
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Zoltan Arva-Toth
At PMA 2010, Lensbaby will showcase the two new additions to the Lensbaby Optic Swap System announced back in October. These include a fisheye and a soft focus lens. The Lensbaby Fisheye Optic allows photographers to turn their Lensbaby Composer or Muse into a fisheye lens by swapping out the installed optic and dropping the new Fisheye Optic into the lens. This optic’s six element multi-coated optical design features an ultra-wide 12mm focal length capable of capturin...
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Zoltan Arva-Toth
Tokina has announced the availability of its AT-X 116 Pro DX 11-16mm f/2.8 DX zoom for Sony, which is the manufacturer’s first DX lens for the Sony Alpha mount. Years ago, Tokina used to manufacture lenses for the Minolta A mount, but this is their first-ever offering for cropped-sensor Sony DSLR cameras. Constructed of 13 elements in 11 groups, the Tokina AT-X 116 Pro DX offers an angle-of-view range of 104°-82°, similar to that of a 16.5-24mm lens mounted on a 35mm ...
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Zoltan Arva-Toth
Cosina has just released a new, Voigtländer branded ultra-wide lens for the M mount. The Heliar 12mm f5.6 Aspherical II is a rectilinear lens that has an angle of view of 121° when mounted on an M series Leica - except for the cropped-sensor M8 and M8.2 - or any other rangefinder camera that uses the M mount (except for the Epson R-D1xG and its predecessors sporting APS-C sized imagers). The new version offers more precise focusing and accepts filters without a filter a...
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Zoltan Arva-Toth
Canon today introduced the new EF 70-200mm f/2.8L IS II USM lens. Built for the professional, the body structure of the new EF 70-200mm f/2.8L IS II USM lens has been enhanced to provide better durability and strength without a significant increase in weight, the manufacturer claims. Canon has improved optical performance on the new EF 70-200mm f/2.8L IS II USM lens by redesigning the internal elements, incorporating a fluorite element and a fifth UD element. The use of t...
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I love when odd pieces of crazy photo gear show up on eBay and this one has crazy written all over it. The listing, which sadly ended back in December, claims this 5200mm prime is more than 6-feet long and weighs about 220-pounds. The more of the listing you read, the more crazy numbers you come across. Minimum focus distance? 120 meters, which is just a shade under 400 feet. That means that if you want to shoot a football game with it, you'd need to be more than the length of a full footbal...
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